Why we stopped specifying gypsum.
Three years of moisture readings, a torn ceiling in a Mussoorie cottage, and what the masons taught us about lime, hair and time.
Six recent commissions, each a 25-second trailer cut from our site archive. Drag horizontally on desktop, scroll on mobile — every card a half-frame from a building you can visit.
TS
Twelve years on the drawing board. Sixty-plus buildings stamped with her signature. Mrs. Tulika Sharma is the rare senior designer who still sketches the first line by hand, walks the slab before the first pour, and signs off the last switch plate. Sharpened across a meditation ashram on the Neelkanth Temple Road, a luxury 4-storey Dehradun bungalow with foreigner-rooftop, Sahastradhara apartment fit-outs, a boutique front in Rajouri Garden, and courtyard residences from Vikas Nagar to Race Course. Vastu-aware in writing, MDDA-clean on first submission, RERA-ready by default. The studio standard for the past twelve years is set by one rule — she does not put her name on a drawing she cannot personally defend on site.
— On the site before the masons.
HS
MBA-trained, fifteen years on construction sites — from a single-floor residence in Vikas Nagar to a luxury 4-storey bungalow with foreigner-rooftop in Sahastradhara. Mr. Hitesh Sharma runs the studio the way a seasoned project manager runs a slab pour: timeline by timeline, vendor by vendor, drawing by drawing. He is the first call for every new commission, the one who walks the MDDA submission through the development authority, negotiates the BOQ on your behalf, and quietly makes sure a pour happens on Tuesday and not Wednesday. Twenty-eight site supervisors and material vendors on call across eleven Uttarakhand districts. No project leaves the studio without his rota.
— On the phone with the contractor, before the slab pours.Six materials we keep returning to across the Doon valley and Garhwal hills. Specified by name, never by category — the brand stays in the wood, not the brochure.
Set on the Neelkanth Temple Road, a few hundred metres above the Patna Waterfall in Rishikesh, the brief asked for one thing — a residential yoga ashram where forty practitioners could disappear into the forest without losing the road. We answered with a quiet plinth, a stepped meditation hall facing east, and a long shaded ambulatory that lets every kuṭīra open to morning sun and close to monsoon rain.
Local Sal timber, lime plaster on every internal wall, and Dehradun sandstone underfoot — three materials, no more. The roof tilts away from the prevailing valley wind. Rain water enters a tank under the kitchen courtyard, leaves through a step-well garden, and slowly disappears into the orchard below the yoga hall.
Residential yoga ashram,
kuṭīras + hall + kitchen
Neelkanth Temple Road,
forest edge, Rishikesh
Phased,
multi-block layout
In operation,
Phase II joinery
i — Meditation hall, looking east
ii — Kuṭīra row, evening light
iii — Courtyard, timber & stone
iv — Forest ambulatory, dawn
A · Houses
B · Offices
C · Stays
D · Land
Every project starts with a long, slow conversation. Site visits, programme briefs, lifestyle audits, budget calibration. We leave with a written charter both parties sign — the document a building is held accountable to.
Concept sketches, massing models, mood boards, material samples, daylight studies, and Vastu overlays. We test two or three directions in parallel, then commit to one before any line is drawn in earnest.
Architectural drawings, 3D visualisations, MEP coordination, joinery details, lighting plans, landscape sections — issued for tender. A single coordinated set, not a stack of disconnected PDFs.
Weekly site walks, daily WhatsApp logs, mock-up samples on every finish. Our team is present from civil work to the last switch plate — the room is handed over with a binder, a maintenance plan, and a photograph.
Built across three states since 2007 — every one a slow conversation.
Between the first courtyard in Dehradun and today's mountain retreat.
Architects, designers, draftsmen, gardeners — twelve cities of training.
National & regional citations for residential, hospitality and retail.
Featured · Materials · 14 min read
Three years of moisture readings, a torn ceiling in a Mussoorie cottage, and what the masons taught us about lime, hair and time. A field study from the floor, with photographs from four commissions and a hand-drawn moisture map.
Materials
Hand-chiseled, never polished — a study in how a stone's edge changes the room it borders, and why we now budget twice for finishes.
Vastu & Light
We don't ask anyone to believe. We do orient the master bedroom away from the kitchen wall — and the data on sleep quality is too good to ignore.
Construction
October concrete, a wet excavator boom, and what we re-learned about timing the lift on a hillside slab.
Hill climate
Why a 50-metre covered edge changed every interior decision behind it — and how to size one for the Doon valley specifically.
Interior
Our lighting consultant on why a room should change five times a day — and how to draw that change before the wires are laid.
Studio practice
Why every Dios commission is finished in our own joinery shop — and the four machines we won't outsource.
Hill climate
The roof tilts inward, the courtyard tank fills first, the verandah floor slopes 1:80 outward — six small decisions for a wet season.

Three reasons we stopped specifying gypsum on hill projects — and what the masons taught us in the process.
Read essay
Our lighting consultant on why a room should change five times a day, and how to draw that change before the wires are laid.
Read essay
Reflections from the boom of an excavator on a wet October morning — and what a site teaches you that a section can't.
Read essay
Sahastradhara Road,
Opposite Pacific Golf Estate,
Kulhan, Kulhan Mansingh,
Dehradun 248013,
Uttarakhand · IN
Mon — Sat, 10:00 — 19:00 IST · WhatsApp preferred for first contact.